SUMMER 2015

HELLO EVERYONE!
new dates for class meets and tutorials are online. pls sign up for elevator witches, 28.4!here´s quick run through.
14.4 info meet, R115, 2pm
soft drinks served by Gago
28.4 Elevator Witch
7.5 class trip to Bremen
14-18.5 Venice
29-31.5 London ICA FOMO
beginning June show with Clemens class in Leipzig.
15th June RCPP workshop with Wendy Chun!
27.+28.6 RCPP workshop Paul Feigelfeld!

loads more seminars and workshops by RCPP to be added very soon, precise dates upcoming.
looking forward  to be back!
 

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April 10 "POSTDIGITAL" "SUCKS" R110

GREAT EVENT ORGANISED BY Daniel Franke, Sandra Moskova, Azin Feizabadi
 
Talks by:
Cramer Florian, Willem de Kooning Academy/Hogeschool Rotterdam
Paul Feigelfeld, Leuphana Universität Lüneburg
Between techno-positivism, culture-pessimism and post-apocalyptic, “Post-digital […] sucks […]”, cut off its original context, emerges out of a desire to dig in a mess of linguistic misunderstandings with Florian Cramer and a “Cryptologocentrism”, where “post-digital” is Internet coming past its teenage years – with Paul Feigelfeld.
According to Cramer, it is an objective fact that the contemporary popular mass culture we live in is not a post-digital one. Yet, “post-digital” is a broadly featured term within it. This theoretical input aims to “cut through the mess” of how and why “post”, “media” and “digital” are called the way they are called in arts, communication theory and in contemporary popular mass culture, one that emerged and developed entirely on the Internet.
initiated by:
Daniel Franke, Sandra Moskova, Azin Feizabadi
lensbased Class Hito Steyerl, Universität der Künste Berlin
Graduiertenschule der UdK
Address:
Universität der Künste Berlin
Hardenbergstraße 33
Room 110
April 10

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class meeting on 11.2 1am Anas seminar on 10.2

Hello class.
 
class meeting and seminar are switched for next week. class meeting is 11.2 10am and seminar 10.2 normal time both in R115.
Also this week the amazing Tiziana Terranova on 4.2 and 5.2 respectively!

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events Jan 2015 CONTRA-INTERNET Zach Blas, ALL THAT IS SOLID Louis Henderson, TIZIANA TERRANOVA

happy new year!
next week class meet 10 Am, not 2pm on Tu 13th. Seven presentations.
Also announcing first workshops in the scope of omeder research project.
LOOKING FOR PERSON ABLE TO DEVELOP SIMPLE SMARTPHONE APP FOR REFUGEE PROJECT!
Politics of Digital Networks Workshop Marathon! JAN/FEB 2015:
30.1, 11:00 AM, 115 Contra-internet workshop with Zach Blas
Contra-internet describes the emerging artistic militancies and political subversions of neoliberal, networked digital technologies. Recognizing the internet as a premier arena of control today, contra-internet is both a refusal of, or exodus from, the internet and also an attempt to build aesthetico-political alternatives to its infrastructures. Aspects of the contra-internet include the global proliferation of autonomous networks and development of encryption tactics.
Poised against the ever popular term “post-internet,” contra-internet is a conceptual, practical, and experimental framework for uniting explicitly political positions that understand internet technologies as bound to mechanisms that vehemently police and criminalize populations—biometric regulation, drone attacks, and data surveillance, to name but a few.
Inspired by Beatriz Preciado’s Manifesto contrasexual, contra-internet is feminist, queer, anti-racist, and anti-imperialist, addressing how non-normative, minoritarian persons are violently impacted by neoliberal network technologies.
Contra-internet practices involve:

  • An implicit critique of the internet as a neoliberal agent and conduit for labour exploitation, financial violence, and precarity.
  • An intersectional analysis that highlights the internet’s intimate connections to the propagation of ableism, classism, homophobia, sexism, racism, and transphobia.
  • A refusal of the brute quantification and standardization that digital technologies enforce as an interpretative lens for evaluating and understanding life.
  • A radicalization of technics, which is at once the acknowledgement of the impossibility of a totalized technical objectivity and also the generation of different logics and possibilities for technological functionality.
  • A transformation of network-centric subjectivity beyond and against the internet as a rapidly developing zone of work-leisure indistinction, social media monoculture, and the addiction of staying connected.
  • Constituting alternatives to the internet, which is nothing short of utopian.

Zach Blas is an artist and writer whose work engages technology, queerness, and politics. Currently, he is an Assistant Professor in the Department of Art at the University at Buffalo.
Blas has exhibited and lectured internationally, most recently at Museo Universitario Arte Contemporáneo, Mexico City; the 2014 Museum of Arts and Design Biennial, New York; the 2014 Dakar Bienniale; Institute of Contemporary Arts, London; Queer/Art/Film LA, Los Angeles; quartier21 / MuseumsQuartier Wien; Center for 21st Century Studies, University of Wisconsin-Milwaukee; transmediale, Berlin; and Foundation for Art and Creative Technology, Liverpool. In 2012 – 13, he was an artist/researcher-in-residence at the b.a.n.g.lab and Performative Nanorobotics Lab, University of California, San Diego. In 2013-14, Blas was a resident at Eyebeam in New York City, The White Building in London, and The Moving Museum in Istanbul.
reading list:
Beatriz Preciado’s Contra-sexual Contract (Sample) http://totalartjournal.com/archives/1402/the-contra-sexual-manifesto/
Contra-Internet Aesthetics by Zach is available from Boaz and Max.
Screening Louis Henderson – 30.January.15
Later that evening we’ll host Louis Henderson for a screening his most recent film All That is Solid. The screening will be followed by a a discussion. (Exact time tba)
ALL THAT IS SOLID (2014) HD 15’26”
Produced for the 59th Salon de Montrouge – Paris – with support from Ekimetrics. Featuring music by Joseph Munday and Robert Aiki Aubrey Lowe
This is a film that takes place. In between a hard place, a hard drive, and an imaginary, a soft space – the cloud that holds my data. And in the soft grey matter, Contained within the head.
As technological progress pushes forward in the west, enormous piles of obsolete computers are thrown away and recycled. Pushed out of sight and sent to the coast of West Africa these computers end up in waste grounds such as Agbogbloshie in Accra, Ghana. On arrival the e-waste is recuperated by young men, who break and burn the plastic casings in order to extract the precious metals contained within. Eventually the metals are sold, melted and reformed into new objects to be sold – it is a strange system of recycling, a kind of reverse neocolonial mining, whereby the African is searching for mineral resources in the materials of Europe. Through showing these heavy processes, the video highlights the importance of dispelling the capitalist myth of the immateriality of new technology to reveal the mineral weight with which the Cloud is grounded to its earthly origins. Trailer: https://vimeo.com/102666180
Tiziana Terranova Workshop (2days!) – 3.- 4.February.15
3.4 11:00-16:00 , 4.3 11:00 – 15:00
This two-day workshop aims at critically exploring the topos of the network as the image of nodes and links remains the invariant topological constant of data visualisation in a disparate number of domains. In particular, the notion of ‘social network’ will be looked at by discussing the development of social network analysis and graph theory through a genealogy of dispositifs of security or control. Alternative ways of thinking about the nature of the social relation diagrammed by graph theory will be explored, as well as the notion of the aesthetic and cultural ‘experience of networking’.
Tiziana Terranova lectures and research the digital media cultures and politics in the Department of Human and Social Sciences, at the University of Naples, ‘L’Orientale’. She is the author of Network Culture: Politics for the Information Age (Pluto Press 2004) and Hypersocial (University of Minnesota Press, forthcoming). She is a member of the free university network Euronomade and of the Robin Hood Minor Asset Management Cooperative.
For reading list see wiki

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On Projection: Historiography as Aesthetic Practice – Update

Please submit your proposals in one A4 PDF-file until 08.12.2014 via email at diese@xleapx.org

We would like to point out, that the A4 sheet is only a format and you don’t necessarily need to work only with text. You can provide images, external links, etc. to visualize your approach. The only “requirement” is that the information provided supports your idea in an understandable way.

The first workshop session will take place on 13. and 14.12. from 11.00 till 18.00h at the UdK, Room 115.

If you have any questions considering the call please mail us at diese@xleapx.org

/Sandra, Azin, Daniel/
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On Projection: Historiography as Aesthetic Practice

COMING SOON – IF YOU WANT TO KNOW MORE OR JOIN, ATTEND CLASS MEET DEC 2ND.
A research project, culminating in an Exhibition at LEAP in Berlin
Participants: group of students from the visual art class LensBased three external artists/researchers.
Moderated and facilitated by Azin Feizabadi
Curated by Daniel Franke & Sandra Moskova (LEAP).
Structure
The project is structured in three parts Dec. 2014 – April/May 2015.
Part one: a temporary moving research and production studio; a series of 6 workshops (2-3 days each, first session set for mid December 2014). 3 sessions take place at  UdK Berlin and other at LEAP Berlin.
Part two: three workshop sessions with external guest artists and/or researchers and subsequent public events (talks or presentations) by same guests. Both the workshops and the public events take place at LEAP Berlin.
Part three: a two weeks exhibition of 10 project results (April/May 2015 at LEAP); exhibition includes works by the participants, project facilitator and external guests all together. A documentation of the research period, including projects by all workshop participants will be also presented collaboratively at the exhibition.
Concept
The project is subdivided in three key subjects in a philosophical tradition as a gesture, this in the context of an assemblage between the analysis of complex systems, the politicum in the context of historiography (chronology, “Chronos”) and the construction of meaning and knowledge through literature as a non- scientific complex (“Narration”). The idea is based on an attitude towards philosophy and the role of a philosopher as a figure, who assembles different scientific contexts and thereby produces new meanings and discourses in a way no discipline is capable of by itself. The core of this project is therefore a transfer-process between the politicum, the technical (as a translation of knowledge) and the artistic-literal as a translation of science. The fundament is a deep desire to experimentally externalise structures (matter, meaning, unified truth, discourse) through technical, medial and narrative approaches.
If we skip ‘Chronos’/’Narration’ from a past incident – lets say an incident of social or political importance, or an event of personal and biographical importance – what aspects of that event can be used instead, to shape an autonomic and civic (collective) memory? Is it possible to emancipate history from scientific and ideological borders?
How can we form an alternative way of historiography that is based on notions of ‘projection’, ‘specters’ and ‘time travel’, instead of merely foreseeing the past? The aim is not to re-appropriate the three-act-narrative structure of historiography, but to abstract it, break it and dismantle it; to free the past from institutional grammars and conservation.
How can aesthetic tools and medium contribute to this aim?
Where are the parallels and/or contradictions between Picasso’s “Guernica” – hanging in the entrance of the UN Security Council in New York– and a poor- image jpeg from the web, which documents a man-to-man fight at the Bazaar of Aleppo –recorded by a baker boy on his mobile phone?
These questions set the starting point for individual works to be produced by participants during the project. The idea is to proceed a focused period of research, collaborative or individual, and to find ways of formalizing the research into works for exhibition/presentation for public engagement. In this sense, the works produced during the project will be manifested hand in hand in-between research (theory based, poetry based and artistic experimentations) and production. In a way, in some cases, the research itself can become the format of the exhibited art work.
The workshop sessions are meant as platforms for collective thinking processes. At each of the 6 sessions, participants are meant to share and discuss their work-in-progress in depth for critique and feedback; they are meant to unfold their research material, to provide an inside view on how they arrived to certain research strategy, to their way of abstraction, to their form and medium in relation to the content. The aim is not to create a homogenous series of works that represent answers for the above questions; instead, we will try to define each an individual (and personal) artistic position on the matter. One that is unique to the artists point of view. The workshops aim simply at creating a studio or laboratory in which strategies, material and thoughts can be shared to inspire others.
Nevertheless, a medial point of departure will be suggested in the beginning, for the participants, to think about, to use it technically or simply receive inspiration by its theoretical basis: Projection!
During the course of the project we will look into the matter of ‘Projection’ as a cultural practice and as a philosophical and psychological phenomenon, and its place within the political realm. We will look at the junctures and interstices of projector and spectator, reality and fiction, cinema and video and take historical references from various video and political-activist approaches.
Sources/Library
– „The Paradox of Media Activism“ (Franco „Bifo“ Berardi)
– “Vom Subjekt zum Projekt” (Villem Flusser)
– „Fernsehbild und politische Sphäre im Licht der Rumänischen Revolution” (Villem Flusser) – „In Defence of the Poor Image“ (Hito Steyerl)
– „Der Stil des Augenblicks. Das Bild zum Bericht“ (Joerg Trempler)
– „Presence Documents – On Visual Parrhesia“ (Web-blog by Sohrab Mohebbi)
– „Body and the Archive“ (Allan Sekula)
– “Mengele’s Skull – The Advent of a Forensic Aesthetics” (Thomas Keenan &
Eyal Weizman)
– “Entwerfen und Entbergen Aspekte einer Genealogie der Projektion” (S. Zielinski)
– “Theses on the Philosophy of History” (Walter Benjamin)
– “The Task of the Translator” (Walter Bejamin)
– “Excommunication” (Alexander R. Galloway, Eugene Thacker, McKenzie Wark) – “A Thousand Years of Nonlinear History” (Manuel De Landa)
.
.
. .
The Curators
For this project, Daniel Franke and Sandra Moskova from LEAP will act as exhibition curators; they will map the discourses and works emerged throughout the project with LEAPs position as a hub for digital and performance art within Berliner cultural landscape. The Theorist Sandra Moskova and the Artist Daniel Franke will be present during the workshops and they will actively contribute with feedbacks and inputs during the sessions.
Daniel Franke is an Artist and Curator living and working in Berlin. He studied Visual Communication and Media Art at the UDK Berlin and completed his master thesis studying under Joachim Sauter and Alberto DeCampo in 2011. Together with Kai Kreuzmüller and John McKiernan he co-founded LEAP (Lab for Electronic Arts and Performance), a non-profit interdisciplinary project for emerging, digital media arts and performance that aims to initiate the dialogue between art, science and technology. LEAP’s central concept is based on experimental research in digital technologies and media, which shape and change our present and future society and stimulate new discourses, discussions and questions. The human being (or body) is thus in performative interaction with these technologies and their impact on society and culture. It stands in a transformative process with its environment and thus is prompted to challenge the limits of its exterior and interior. LEAP’s conceptual and substantive program deals with the discussion of new discourses, critical issues and provides a bridge between theory and practice. In September 2013 LEAP presented Art Hack Day Berlin ‘’Going Dark’’ the first in a two part organisational and curatorial collaboration between transmediale, Art Hack Day and LEAP which culminates in the festivals central exhibition Art Hack Day Berlin : Afterglow.
In his own works Daniel Franke challenges our understanding of the digital, aiming to view it in the context of a physical perception in the field of animation.
He thereby transforms practises known from classical animation into tangible expressions in the “real”, factual and bodily world to explore and visualise complex coherences.
Sandra Moskova is a theoretician and curator. She has graduated M.A. in Gesellschafts- und Wirtschaftskommunikation from the University of the Arts Berlin, where she currently works on her PhD in the field of Cultural Science and Narrative Theory (the Knowledge of Literature), supervised by Prof. Thomas Düllo, Chair of Verbal Communication. Sandra also teaches Media- and Communication Theory at MHMK Berlin and University of Osnabrück and works together with Lab for Emerging Arts and Performance (LEAP) Berlin, where she writes the theoretical texts for different exhibitions and artists. Sandra Moskova is also a contributing writer and curator to Public Art Lab Berlin since 2013.
Sandra Moskova and Daniel Franke take will conceptualize the exhibition concept and curate the works produced within this project. External guests will be invited to participate in this project through LEAP; they will be chosen from the artist and researcher community of LEAP and Azin Feizabadi.
Azin Feizabadi
Azin Feizabadi is a filmmaker and visual artist living and working in Berlin. He is currently a research fellow at the Graduiertenschule UdK Berlin.
This project defines one part of Azin Feizabadi’s artistic and academic activities during his fellowship at the Graduiertenschule. The concepts and questions proposed here are crystallized from his ongoing research project “A Collective Memory” and the subsequent film “Chronicles from Majnun until Layla” –which both of them he is to develop throughput the fellowship at the UdK Berlin.
Timeline

  • Sandra Moskova, Azin Feizabadi and Daniel Franke call the project at Lense Based class meeting on 2nd of Dec. 2014 at UdK
  • Open call for project proposals: participants send a few lines about their intended projects; 2nd – 8th Dec.
  • First workshop session: 13th and 14th Dec. at UdK Berlin
  • Second workshop session: mid Jan. 2015 at UdK Berlin
  • Third workshop session: mid Feb. 2015 at UdK Berlin
  • Fourth workshop session, with external guest and public
    talk/presentation with and by external guest: mid March 2015 at LEAP
  • Fifth workshop session, with external guest and public talk/presentation
    with and by external guest: beg April 2015 at LEAP
  • Beginning curatorial process by LEAP team: beginning April 2015
  • Sixth workshop session, with external guest and public talk/presentation
    with and by external guest: mid April 2015 at LEAP
  • Exhibition preparation and opening: end April or beg May 2015 at LEAP
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Seen By 3: Place an Image / Place in Image

OPENING 20.11.2014 7PM

von: 21.11.2014 bis: 20.02.2015
Museum für Fotografie
Die Kunstbibliothek der Staatlichen Museen zu Berlin und die Universität der Künste Berlin sind seit November 2013 eine neue Kooperation im Museum für Fotografie eingegangen. Die gemeinsam konzipierte Ausstellungsreihe Seen By lädt jeweils einen Gastkurator/eine Gastkuratorin ein, seine/ihre Sicht auf Arbeiten von Studierenden der Universität der Künste Berlin zu präsentieren. Die Kunstbibliothek bietet in ihrem Museum für Fotografie den Studierenden eine neue Präsentationsplattform.
In unserem algorithmisch erneuerten, ‘benutzerfreundlichen’ Universum erlebt die Vergangenheit einen Neustart in der Gegenwart, entzieht Repräsentation sich der Auflösung, werden Bilder zu Oberflächen und lassen kaum Räume für Unerwartetes. Können Bilder weiterhin eine mehrdeutige, spekulative Sprache entwickeln? Wo können wir neue, vielseitige Möglichkeiten der Artikulation durch Bilder finden, falls es diese überhaupt noch gibt?
In einem berühmten Fernsehinterview sagte Hannah Arendt: “Ich muss verstehen, deswegen schreibe ich weiter”. Place an Image / Place in Image, die dritte Gruppenausstellung im Rahmen der Ausstellungsreihe Seen By lädt Musquiqui Chihying, Giorgi Gago Gagoshidze, Cornelia Herfurtner, Daniel Reuter, Dierk Saathoff, Kristof Trakal, Milos Trakilovic und Till Wittwer ein durch ihre unterschiedliche künstlerischen Vorhaben zu diskutieren, welche Rolle Orte der Entwicklung künstlerischer Subjektivität im Entstehungsprozess von Bildern spielen – eingebettet in einer durch Kettenreaktionen entstandenen Umgebung aus Emotionen, Strukturen, Realität und Spekulation. Durch die Abstraktion des Bildes als Ort und Geste kritischen Denkens hebt die Ausstellung die Kraft der topografischen Imagination hervor, als subjektiviertem Rechercheinstrument, das im Prozess der verschiedenen Arbeiten wiederkehrt.
Kuratiert von Övül Durmusoglu
 

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Soon

14.10 2pm it is. Hope everyone returns sound and safe.
Sign up for 5min presentations on first day. Also scroll down below to find the Mrs. Hayastan Shakarian celebration festivities currently happening in Tblisi.
Here is the schedule for Ana´s fantastic seminar, run every Wed from 22.10 in R115.
Seminar: Things that Talk* – Media, gender and fiction in contemporary art
Every Wed after 22.10 at  2pm, R115
The present seminar will examine the impact of the second industrial revolution on art and aesthetics, through the vantage point of science and horror fiction.
Amongst the topics addressed will be:
–The relation between art and media: does the technical take precedence over the social?
–The concept and genealogy of techno-utopia.
–Science fiction as an expression of the political unconscious.
–Automation, animation and animism.
–Fictional types and tropes, gendered concepts and political subjects.
 
The class will read assigned chapters from selected novels and watch films and other visual materials as well as discuss several theoretical texts and their core concepts. The goal is to achieve a lively discussion thus attendance and participation are encouraged, there will be no attendance taken however and there is no punishment for absentees.
 
Evaluation– students can choose one of the following:
 
–Writing a take-home essay of 3 to 4 pages. Essays need to reflect the topics approached in the seminar and proposals need to be previously discussed and approved. Off-topic essays will not be accepted.
–Oral presentation in front of class, 15 to 20 min. Same as above.
–Taking a final exam.
 
 
Preliminary Bibliography:
-Barbrook, Richard and Cameron, Andy The Californian Ideology, Mute, Issue n° 3, Autumn 1995
-Hayles, N. Catherine How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics, (Chicago: University of Chicago Press, 1999),
-Haraway, Donna, “A Cyborg Manifesto – Science, Technology, and Socialist-Feminism in the Late Twentieth Century,” in Simians, Cyborgs and Women: The Reinvention of Nature New York; Routledge, (1991), pp.149-181.
-Galloway, Alexander R. Protocol: How Control Exists after Decentralization, The MIT Press (2006)
-Galison, Peter The Ontology of the Enemy: Norbert Wiener and the Cybernetic Vision, Critical Inquiry, Vol. 21, No. 1. (Autumn, 1994), 228-266.
-Shaviro, Stephen, Post Cinematic Affect, Zero Books (2010)
https://www.facebook.com/events/563829203721829/?fref=ts

OKT
09

Lethal Cut Pro

ლიტერატურის მუზეუმი Literature Museum / გიორგი ჭანტურიას 8, Giorgi Tchanturia St. 8, 0108 Tbilisi, Georgia
An evening in honor of the grand achievement of the Georgian spade-hacker Ms. Shakarian.
Once, Ms. Shakarian was asked:
What is the Internet?
She replied with a smirk: “It’s just a single swing of a shovel”
Now, you might want to ask: Who is Ms. Shakarian?
Listen, kid: This woman changed the world as is. This woman gave the internet a body. And with a single swing of the shovel she killed it. 5 million users in 2 countries were cut off and the date of March 28th, 2011 will be remembered in school history books henceforth.
The lesson learned from Ms. Shakarian’s single-handed strike of guerilla-gardening: You have to dig deep to deliver good media criticism.
The lecture-performances and video screenings may not be related to this story but everyone involved deeply respects Ms. Shakarian and her merit achievement for humanity.
Lecture Performances
——————-
Milos Trakilovic
M/OTHER : Retroceding Politics of Representation and Embodiment
15 min
Woori Cho
Travelers’ Guide To Realities
15 min
Till Wittwer
Forging Forgery
10 min
Screenings
——————-
Tamara Magradze
Au-pairs
6 min
Adrian Gutzelnig
Travelling, yourself and the world
8 min
Maximilian Schmoetzer
2022 (excerpt)
2 min
Bruno Siegrist
Bewährung (Probation)
10 min
Galina Levanova
Air
15 min
Feliks Aleksander
Hommage To Tbilisi Velodrome
6 min
Candice Jee
Die Bewegtgrund (Garden of the Reclaimed Moon)
8 min
Tekla Aslanishvili
Claim your power
20 min
Kristof Trakal
Teobertos weakest moment
4 min
Joshua Crowle
Jack & Debbie
12 min
Milos Trakilovic
WWW
16 min
madloba
www.theguardian.com/world/2011/apr/06/georgian-woman-cuts-web-access

 

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New term

We are getting close to the new term.
Dont forget to sign up for elevator bitches on 16.10. The class trip to Georgia is ON! see below. There will be two seminars led by Boaz and Max in the scope of new research project. Details to follow as they emerge from the grey dust of bureaucracy. Also, any news on your Rotterdam class-in-exile plan?
In the meantime some information for you from your personal tutor:
Dear Fellow lensbasers
Here I am sending the trip schedule for Georgia
1.10  – arrival day /two people Max & Bruno are arriving on 4.10 – Neda, Pauline and Lennart are arriving on 28.09/
at the airport we have to divide the group. One part of the group will stay at my place and another part will go to Tekla’s father’s studio. If there will not be enough place, Dadu can also take few people with her.
2.10  – we are all invited by Jesse Takeshi and Elene to their project opening in Batumi /very lovely city in the west coast of Georgia/
If u would like to go there I would suggest to take a night train on 1.10,  we will arrive there on 2.10 early morning, spend two days over there and then we can go straight to the village from there.  /No free accommodation in Batumi/ please text me back, i need to know how many of u want to go there.
4.10   – we are going to Racha /small village called “I Tola” in the south Caucasus/ where we gonna spend 3 days.
in case if we all go to Racha straight from Batumi Dadu is gonna pick Max and Bruno in Tbilisi and they will join us in the village.
there are some activities being planed in  Racha as well. Josh and Elene are going to curate each nights. so there is one slot left, any volunteers?
7.10  – we are back in Tbilisi.
8.10   – Hito arrives in Tbilisi and the same day we all going to visit Ms Shakarian. I still have not found her. Next Tuesday I am in Georgia so I am gonna visit her village and will find her to make an appointment. Hope she is still in a healthy condition and full of energy as we all remember her from the last decade.
9.10  – we gonna have lecture-performances and video screenings in the Literature Museum in Tbilisi. After the midnight, 3 people from the group – Max, Mikk and short hear Adrian gonna play for us in one of the nicest nightclub called “Mtkvari” /I am still communicating with the owners of the club, so I will give u some more details bit later/
10-10  – midnight u will leave your miserable and exhausted Georgian friend, which will join u soon in Berlin.
Of course in between those days we gonna meet some locals and visit some nice local gas-stations to degustate Georgian wine .
Here below I am sending the list of the people who already booked the tickets and ones who confirmed that they are coming. Also I would like to announce that the list is closed and if someone wants to come they got to organize their trip by their own. Unless someone already confirmed before and I forgot to insert his/her name in the list.

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Harun Farocki 1944 -2014

Today I am celebrating the extraordinary life and work of Harun Farocki.
Take a moment and raise a toast to this wonderful filmmaker, intellectual, pioneer, person.
Towards the end of his life, his works started to smile.
The loss is beyond description.

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