Summer Semester 2018

Classmeetings will take place in R 115 / 14:00h 

 Hardenbergstraße 33, 10623 Berlin

April__________________________
– 24 Class meeting
May___________________________
– 8 Class meeting
June___________________________
– 5 Class meeting
– 19 Class meeting
July___________________________
– 3 Class meeting 
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Mutterzunge

Connecting filmic, performative, and curatorial discussions with contemporary literature and critical writing, Mutterzunge investigates autonomy, anonymity and authenticity. As an inquiry into unorthodox forms of exhibition-making, Mutterzunge is an independent program of research visits, studio residencies, invited table conversations, and mapping of installations and events in Berlin.

31 MARCH 2018
“Dedicated to Sevgi.” Screenings, performances, readings, and more
17:00 BABYLON (www.babylonberlin.de/)
Rosa-Luxemburg-Straße 30
10178 Berlin
www.mutterzunge.org

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Lensbased 2017/18

Lensbased 2017/18
Hardenbergstraße 33, R 115
October
31 Class meeting – 14:00
November
1  10:00-16:00 Block-seminar “Now What” together with Clemens von Wedemeyer’s class from HGB
with invited guests both classes will discuss big shows/Venice, Athen, Kassel, Münster/
28 Class meeting – 14:00
December
5 Class meeting – 14:00
January
16 Class meeting – 14:00
30 Class meeting – 14:00
February
13 Class meeting – 14:00
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Artist Talk with curator and writer Övül Ö. Durmuşoğlu: "Aesthetics of togetherness"

Aesthetics of togetherness
Thu 15. June 17h,Hardenbergstraße 33, R 115
When paradigms shift and collapse in Europe and around the world, many urgent self-reflexive questions arise for contemporary art praxis and theory. Our present is mostly an echo-chamber in fragments and yet the future needs to be invented by people. The hyper-masculine hegemony names decades of struggles by workers, women,
LGBTI, environmentalists, migrants as weaknesses. Therefore, it is our very responsibility – as artists, writers, curators, cultural and intellectual workers- to develop new languages of resilience and stand for all the gains. Can we define an aesthetics of togetherness in the fractured present? What is the affect and effect of art in the new narratives?

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Summer Semester _2017

APRIL
__________________________
18.04
Class meeting _ 14:00  – Elevator Bitches _ R 115
MAY
__________________________
02.05
Class meeting _ 14:00  –  introduction _ R 115
09.05
Seminar _ Ana Teixeira Pinto  14:00 _R 115
16.5
Class meeting Excursion   _  Neue Nachbarschaft // Moabit
30.5
Class meeting Excursion   _ 13:00
JUNE
__________________________
06.06
Seminar _ Ana Teixeira Pinto  14:00 _R 115
13.6
Class meeting Excursion   _ 13:00
20.06
Seminar _ Ana Teixeira Pinto  14:00 _R 115
27.6
Class meeting Excursion   _ 13:00
JULY
__________________________
11.7
Class meeting Excursion   _ 13:00
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documentary films: "Shoah", Sa/Su 14./15. January 14-19h

Next film up:
“Shoah” by  Claude Lanzmann (F 1985, 544 min)
shoah1 shoah2
Because it’s a very long film, so we’ll split the screening over saturday and sunday 14h-19h both days.
It’s a film that is not easy to watch, but for those who are interested in finding out more about the holocaust this film approaches it in a very strong and unique way.
 

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documentary films: Searching for Sugar Man

the last film before christmas, thursday dec 15th, 18h:
“Searching for Sugar Man” (Malik Bendjelloul, S/UK 2012, 86min)
searching-for-sugar-man-whysoblu-6-8x6
A film about a search of what has become of Sixto Rodriguez, an American musician that was very popular and influential in South Africa in the mid 1970s, but vanished from the music world in the US.
after christmas, we’ll continue with Shoah, which personally I find the most important film about the holocaust I’ve ever seen. Since that is a very long film the screening will two days on the weekend 14./15. January, I propose 14-19h but we can discuss this on the next screening.

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documentary films: "Restrepo"

hello everybody, this week’s film is a documentary about a military outpost in Afghanistan during the War.:
“Restrepo” (USA 2010, 93min) Directed by Tim Hetherington and Sebastian Junger
restrepo-700x467
Thursday, 18h, room 115

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documentary films: "10e Chambre — Instants d'audience"

hello everybody, this week we’ll watch:
“10e Chambre — Instants d’audience” (10th District Court)
10thdistrictcourt
a film about court rulings in paris by Raymond Depardon.
as usual thursday 18h in room 115
christoph

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James Bridle: Cloud Index, 22.11 4pm 115

Cloud Index is a weather prediction model that consumes vast amounts of historic weather data from satellites and correlates it with polling data on major political events, most notably the recent EU referendum. Bridle’s new commission for the Serpentine explores the connections between climate, behaviour and networks and uses the principles of weather divination and advanced neural networks to question our technological certainties and our democratic convictions. With Cloud Index, Bridle takes on the computing ‘cloud’ as the most pervasive and least understood metaphor of our times.
James Bridle is a British artist and writer based in Athens, Greece. His artworks have been commissioned by galleries and institutions and exhibited worldwide and on the internet. His writing on literature, culture and networks has appeared in magazines and newspapers including Wired, Domus, Cabinet, the Atlantic, the New Statesman, the Guardian, the Observer and many others, in print and online. He lectures regularly at conferences, universities, and other events. His formulation of the New Aesthetic research project has spurred debate and creative work across multiple disciplines. His work can be found at http://booktwo.org.

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