October 25^th , 4-7pm

First Roundtable: Janine Jambere presents two of her projects.

Allied presentation: Yara Spaett. Questions by Anna Tautfest.

October 26^th, 2-6 pm,

Seminar/Introduction

!!! We meet in the art gallery ‘Gentili Apri’, Schöneberger Ufer 69!!!

(http://gentiliapri.com/)

WS 2010/2011 Heterotopies

Heterotopies are spaces without place or histories without chronology. Heterotopies are universes that might be impossible to trace on a map because the do not belong to a place. They are born in our heads, in the cut up of our words, in non-places, dreams or, as Foucault said, “out of the sweetness of our utopies“. But they have a reality, a determined time, they can be fixed and measured on a map or in a calender. Foucaults’ concept of heterotopies largely influenced theories on mobility and migration.

We will discuss the subject in relation to videos that focus on subjectivity and mobility (films and video works by Brigitta Kuster, Ursula Biemann, Lisl Ponger, Jem Cohen, Eyal Sivan, Alessandro Sambini, Bouba Touré, Phillipe Scheffner, Chantal Akermann, MariaGiovanna Nuzzi, and others.)

Round Tables/Reading Groups/Open Source Meetings :

Every week on Monday, 4-7 pm, room 115, (not on the 22. 11 and 3.1)

Seminars

Every Tuesday, 3 – 6 pm, room 115, weekly (not on the 3.11 and 23.11)

NOVEMBER (UPDATE FOLLOWS)

8^th of November, room 115, 4-7 pm

Ground Zero One is a new format for class meetings in the WS 2010. We try together to open, deepen and share information without being interfaced by screens.

Solidarity instead of competition is the motto of Ground Zero One.

hello everybody,

below the list of the seminars i’ll hold next semester. they
will be all workshops with limited space, so i you’re
interested it’s important you let me know.

i’ll try to find the time for an english translation before
i leave.

laters
++ christoph

Seminare Winter 2010/2011 — Christoph Manz
************************************************************

Beginn der Vorlesungen: 18. Oktober 2010 (Montag)
Ende der Vorlesungen: 19. Februar 2011 (Samstag)
Akademische Ferien: 20. Dezember 2010 (Montag) bis 1. Januar
2011 (Samstag)

— 1) —
Projektbetreuung Film/Video/Photographie
———————————————————-

Veranstaltung: Projektbetreuung Film/Video/Photographie
Veranstaltungsart: theoret.-prakt. Lehrveranstaltung
Sprache: deutsch/englisch
Semester: Winter 2010/2011
Tag: Mi
Zeit: 13:00-17:00
Rhythmus: wöchentlich
Raum: Ha33 – 098

Kommentar:

Technische Betreuung von studentischen Film-, Video- und
Photoarbeiten, mit analogen und digitalen Medien.

Technical assistence and advice on film, video and photo
projects. digital and analog media.

Jeden Mittwoch, Termine nach Vereinbarung.
Ganzes Semester, auch vorlesungsfreie Zeit (dann Mi und Do).

— 2) —
Analog / Digital
———————————————————-

Veranstaltung: Analog / Digital
Veranstaltungsart: theoret.-prakt. Lehrveranstaltung
Sprache: deutsch/englisch
Semester: Winter 2010/2011
Tag: Do/Fr
Zeit: 13:30-18:00
Rhythmus: Blockseminar
Dauer: 4 x 2 Tage zu 4.5 Stunden
Raum: Ha33 – 115

Kommentar:

Ein sehr grosser Teil der Audio, Photo und Videotechnik ist
schon auf die digitale Produktion umgestiegen, und in
wenigen Jahren werden analoge Medien praktisch vollständig
aus unserem Alltagsleben verschwinden. Der Hauptgrund liegt
in der Effizienz, Kontrollierbarkeit und Qualität welche mit
der Digitaltechnik erreichbar sind.

Was bedeutet aber überhaupt digital und analog? Was ist
abgesehen von den technischen Vorteilen der Unterschied? Wie
ist unsere emotionale Reaktion zu digitalen und analogen
Bildern? Und wie beinflusst es unsere Arbeitsweise?

In diesem Workshop werden wir verschiedenste Beispiele aus
beiden Welten anschauen und ausprobieren und über diese
Fragen diskutieren.

Termine:
Do/Fr 28./29. Okt. + 4./5. Nov. + 11./12. Nov. + 18./19. Nov

Teilnehmerzahl beschränkt, nur mit Voranmeldung.

— 3) —
Videotechnik: von der Aufnahme zur Präsentation
———————————————————-

Veranstaltung: Videotechnik: von der Aufnahme zur Präsentation
Veranstaltungsart: theoret.-prakt. Lehrveranstaltung
Sprache: deutsch/englisch
Semester: Winter 2010/2011
Tag: Do/Fr
Zeit: 13:30-17:30
Rhythmus: Blockseminar
Dauer: 3 x 2 Tage zu 4 Stunden
Raum: Ha33 – 115

Kommentar:

Die rasante technische Entwicklung, und die veränderten
Geräte haben einerseits zu einer Vielzahl an Möglichkeiten
zum Arbeiten mit Video geführt, aber auch zu einer grossen
Anzahl von Problemen, vorallem in der Endfertigung. Aufgrund
der vielen Kombinationen und damit verbundenen Fehlerquellen
ist es notwendig die Grundlagen und Funktionsweise dahinter
zu kennen um schon bei der Aufnahme und der Postproduktion
sinnvolle Entscheidungen zu treffen.

In diesem Workshop geht es also darum die Videotechnik zu
verstehen, mit dem Schwerpunkt der Präsentation. Es werden
ausführlich die verschiedenen Formate, Kabel und Geräte
besprochen und ausprobiert.

Termine:
Do/Fr 25./26. Nov. + 2./3. Dez. + 9./10. Dez.

Teilnehmerzahl beschränkt, nur mit Voranmeldung.

— 4) —
Fluch und Segen des Internets
———————————————————-
Veranstaltung: Fluch und Segen des Internets
Veranstaltungsart: theoret.-prakt. Lehrveranstaltung
Sprache: deutsch/englisch
Semester: Winter 2010/2011
Tag: Do/Fr
Zeit: 13:30-17:30
Rhythmus: Blockseminar
Dauer: 3 x 2 Tage zu 4 Stunden
Raum: Ha33 – 098

Kommentar:

Das Internet nimmt eine immer grössere Wichtigkeit in
unserem Leben ein. Nicht nur persönlich, sondern auch
beruflich, wirtschaftlich und politisch. Es verändert die
Gesellschaft so stark wie wenige technische Errungenschaften
zuvor.

In diesem Seminar soll es zum einen darum gehen die
technischen Grundlagen zu verstehen, wie das Internet
funktioniert und aus welchen Bestandteilen es überhaupt
besteht sowiee konkreten Anwendungen und Tips zur Nutzung.

Zum anderen soll es auch zu Diskussionen anregen wie es uns
als Individueen und als Gesellschaft beeinflusst und
verändert.

Termine:
Do/Fr 13./14. Jan. + 20./21. Jan. + 27./28. Jan.

Teilnehmerzahl beschränkt, nur mit Voranmeldung.

There are seminars, Reading Groups, Round Tables and Wokrshops and a Festival !
If you would like to take part or visit the workshop and for meetings with me please contact me by mail- The festival BERLIN DOCUMNETARY FORUM between the 2-6 of June is worth to plan time for it. All updates will be posted on this email list. If you are not yet on please contact Yara (yara_spaettATyahoo.com>, I ma happy to see you soon All my best,
Angela
Klasse Melitopoulos

Sommersemester 2010, Seminars, Round Tables, Reading Groups, Viewing Archives

—————————————————————————————–SCHEDULE

1 – Reading Group /3 May/4-6 pm/room 115/article : Gilles Deleuze ‚The new archivist’)

2. Workshop/4-7 May/all day/ Feminism and Performance Art with Bettina Knaup (application necessary) room 115

3. Seminar /7 May/3 pm/ Feminism and Performance Art /Bettina Knaup / room 115

4. Round Table /May 10/ 4-7 pm/ room 115

5. Reading Group /May 17/4-6 pm/ room 115 Extra-disciplinary Art Practices and Media Activism/Brian Holmes/ article from the book Escape the Overcode

6. Seminar /May 21/10.30-1.30 pm/ Extra-disciplinary Art Practices and Media Activism/Brian Holmes/ room 115

7. Workshop /May 18-21/ Extra-disciplinary Art Practices and Media Activism/Brian Holmes/ (application necessary), room 115,

8. Round Table/May 24, 4-7 pm/ room 115

9. BERLIN DOCUMENTRY FORUM 1/ 2-6 June/all day/ Haus der Kulturen der Welt (You are invited to attend the entire festival !)

Möglichkeitsraum Screen Performances

June 3, 10 pm (evening) The Life of a Film Archive with Stefanie Schulte Strathaus

June 4, 12 h Extra-disciplinary Art Practices and Media Activism with Brian Holmes

June 5, 2.30 pm Feminism and Performance Art with Bettina Knaup

10. Round Table/June 10/4-7pm/ room 115

11. Reading Group/14 June/4-6 pm/room 115

12. Reading Group and seminar 28 June/11am-3 pm, The Life of a Film Archive (location will be announced)

13. Viewing Archives /June 29/ The Life of a Film Archive (time and location will be announvced)

————————————————————————————————–

Seminar

‘Der Möglichkeitsraum’ (The Blast of the Possible)

On the Bio-politics and Archives

Short Text

The ‘new” archivist, who Deleuze recognizes in Foucault, has apparently created something fundamentally new: he cuts transversely through existing language systems across scientific languages, every day enunciation’s and schizophrenic nonsense. He wants to stay agile and does not care about juxtaposed sentences or about the keyboard of his type writer. He does not want to speak about the ‘other’ or follow dialectics of conflict because by doing so he can’t differentiate the possible from the actual. He just wants to consider enunciation with all their omissions and breaches.

The seminar ‘Möglichkeitsraum’ invites to think the ‘new’ archivist along the work of three curators and cultural producers on their film and video archives who are collaborating (with me) on a screen performance that will be staged in the Berlin Documentary Forum in the House of World Cultures Berlin between the 3^rd and the 5^th of June 2010.

With Bettina Knaup (curator), Stefanie Schulte Strathaus (Arsenal Institute for Film – and Videoart) and Brian Holmes (cultural theorist) the three screen performances elaborate the possible and actual potentialities of a history and art production along three archives. We consider Foucault’s idea what an enunciation with it’s omissions and breaches can be in time. We work on ‘rules of transition’ of an enunciation from one time period to the next – within the moving images.

Der Möglichkeitsraum proposes to work in a laboratory like platform, an assembled space in that functions of cinema, theater and prostproduction studio are intertwined with each other. The platform contains a double screen projection, a database and a video- and sound mixer on stage. The screen is connected with the archaic function of theater that is to assemble, switch, combine and perform heterogeneous language flows.

1. Feminism and Performance Art with Bettina Knaup

The video archive assembled for the exhibition project re.act.feminism by the Berlin based curators Bettina Knaup and Beatrice E. Stammer show an exemplary overview of gender-critical performance art of the 1960s and 1970s and its current ‘return’ in form of appropriations, re-enactments and archival or documentary projects. The emergence of feminism and performance art critiqued patriarchal forms of knowledge production, political speech, bio-politics and the capitalizing function of the art market. The Blast of the Possible with Bettina Knaup address the idea of relational feminism within performance art that transgresses gender relations and identity politics in direction to urban bio-politics, knowledge production, therapy and ritualized speech.

Read more

(www.reactfeminism.org).

Performance art emerging in the 1960s and 70s was infused with ideas of social emancipation and fundamentally influenced by women artists interested in feminism. Performance art explored the intersection of art and life, of private and public. By focusing on the sentient, creating, knowing, speaking body it is the ideal medium to deconstruct the status of women as art objects and appropriate the subject position, to dramatize the social and physical vulnerability of women’s bodies in a patriarchal society and to deconstruct and subvert notions of stereotypical identity. Moreover, as a new art form, occurring outside the confines of the traditional art space, performance was a medium for collective and social intervention in the public sphere.

Bettina Knaup is a cultural producer with a background in political science, theatre, film, TV studies and gender studies. She has been involve d in developing or managing a range of interdisciplinary and transnational cultural projects operating at the interface of arts, politics and knowledge production. These include the open space of the International Women’s University (Hanover) and the trans-disciplinary Performing Arts Laboratory, IN TRANSIT (Berlin). For the past three years, she has co-curated and co-produced the International Festival of Contemporary Arts, CITY OF WOMEN, Ljubljana. As LabforCulture manager, Bettina oversees the development and production of the LabforCulture project.

Reading Group: 3 May, 4 to 6 pm, room 115, article Gilles Deleuze : ‚The new archivist’

Workshop: 4-7 May, all day, (application necessary), room 115

Seminar: 7 May, 3 to 5.30 pm, room 115

Screen Performance at the BERLIN DOCUMENTARY FORUM 1 :

5 June, 2.30 pm_Haus der Kulturen der Welt

Viewing Archives: 8 June, 11 – 5 pm, room 115

2. Extra-disciplinary Art Practices and Media Activism with Brian Holmes

Four Pathways through Chaos is based on Brian Holmes’ political theory about cybernetic governance and extra-disciplinary art practices /media activism.

Activism in a networked society has to confront a complex order of cybernetic norms governing affects, thought, desire and social relations through automation, economic deregulation and overcoded environments. So-called ‘second-order cybernetics’ operates through the mapping of dispersed, multi-agent populations, aiming for the modulation of complex flows; its characteristic media form is the worldwide web. The bio-political government of control society integrates forms of individualized production of subjectivity. How do social life forms resist the over-coding that constantly tracks and analyzes data about our behavior? ‘Any struggle in the fields of knowledge has to begin as extra-disciplinary practices’, moving beyond the calibrated access between science and art.

Four Pathways through Chaos is becoming a live montage, exemplifying four historically different audiovisual regimes that occurred in the USA since World War Two: broadcast television in the Cold War consumer society; video in art practice and activism as a subversion of the televisual norm; networked computing and its new forms of ‘control environments’; and new communication tactics of migration movements.

Brian Holmes is an art and cultural critic, activist and translator interested primarily in the intersections of artistic and political practice. He holds a doctorate in Romance Languages and Literatures from the University of California at Berkeley. was a member of the graphic arts group Ne pas plier from 1999 to 2001, and has worked with the French conceptual art group Bureau d’études. He is a frequent contributor to the international mailing list Nettime, a member of the editorial committee of the art magazine “Springerin” and the political-economy journal “Multitudes”, a regular contributor to the magazine Parachute, and a founder of the new journal “Autonomie Artistique”.

Reading Group_17 May, 4-6 pm, room 115, article from the book Escape the Overcode by Brian Holmes

Seminar 21. May, 10.30 – 1.30 pm, room 115

Workshop 18-21.May, all day, (application necessary), room 115,

Viewing Archives 8 June, 11-5 pm, room 115

Screen Performance at the BERLIN DOCUMENTARY FORUM

4 June, 12 h (mittags) Haus der Kulturen der Welt

3. The Life of a Film Archive with Stefanie Schulte Strathaus




A re-envisioning of moving images on the biography of the archive of the Arsenal Institute for Film and Video art

‚Must cinema screenings be organised by political activists for that new political films can be made?’ (Citation of a movie maker in the assembly ‘Les états généraux du cinema, Mai 1968, from the film ‚Das ist nur der Anfang – der Kampf geht weiter’ von Claudia von Alemann

The criteria of showing, spreading and distributing moving images contains a bio-political dimension that regulates active forces of life because through moving images heteronormative categories in our gaze, gestures and languages are immediately composed or rejected and thus affect our relations.

The Arsenal Institute for Film – and Videoart works with the active forces and fugacity of cinema images and thus understands each screening as a singular event in that the gaze, gestures and languages of it’s public co-determine the archive an it’s location.

Stefanie Schulte Strathaus, director of the Arsenal Institute for Film – and Videoart proposes to look at the possible and actual bio-political agency of an archive with a selection of feminist and queer films that composed three historical cinema events in the Arsenal cinema in Berlin :

– The exemplary event of 1973 with the 1. International Women’s Film Seminar organized and conceived by Helge Sander and Claudia von Alemann that triggered a follow up of other feminist and queer film festivals

– It’s actualisation in the event of 1997 called ‘Films, Festivals and Feminism ‚…es kommt darauf an, sie zu verändern’

– And the event of 2009 ‘LIVE FILM! JACK SMITH! Five Flaming in a Rented World

The feminist film of the 70ties was a thought-provoking tool. It had to be constituted against a large opposition and many difficulties. A political enunciation resulted that is still actual today: a crystalline vision about economic exploitation, heteronormativity and the (bio) political struggles that continue today.

Screen Performance at the BERLIN DOCUMENTARY FORUM _

3 June, 10 pm (evening !) Haus der Kulturen der Welt

Reading-group/seminar 28 June, 11 – 3 pm, (location will be announced)

Viewing Archives 29 June, (time and location will be announced)

—————————————————————————————–

Round Tables

We continue the format of the round-table for presenting and discussing student projects. Each presentation should be prepared in collaboration with another student or expert who can elaborate a short comment on the presented topic.

Please reserve your dates for your presentations with Yara Spaett.

May 10, May 24, June 7, June 21

—————————————————————————————–

]] >

Dear All,

I will show the installation in the UDK, room 115, tomorrow at 11 – in a preview for the Forum Expanded 2010 – with three projectors.

Best regards
Angela

ASSEMBLAGES

is an audiovisual research project by Angela Melitopoulos an Maurizio Lazzarato about philosopher and psychiatrist Félix Guattari an his revolutionary psychiatric practice, his political activism as well as his ideas concerning ecosophy and his interest in animism especially in the Brazilian an Japanese context.

It is shown in the exhibition Animism (22 jan 2010 – 02 may 2010) curated by Anselm Franke for Extra City and the M HKA (Museum van Hedendaagse Kunst) in Antwerp http://www.muhka.be/) as a first outcome of the research in the form of a video installation.

In Guattari’s work and in the same manner as in animist societies, subjectivity loses the transcendent and transcendental status that characterizes the Western paradigm. Guattari’s thought and that of animist societies can find common ground in this understanding of subjectivity. Aspects of polysemic, transindividual, and animist subjectivity also characterize the world of childhood, of psychosis, of amorous or political passion, and of artistic creation.

The installation presents excerpts from documentaries, essay-films, radio interviews, conversations with friends and colleagues of Félix Guattari, and material on the clinic La Borde in France and institutional psychotherapy including films by Fernand Deligny, Renaud Victor, François Pain an others, as well as new material produced in Brazil in the course of the research on this project.

Presented as a triptych of differently sized screens, the installation refers to ideas of movement and gravity eminent in the cartographies of animistic art as well as to concepts of the immaterial in asiatic art. Each screen intensifies a modality of the senses: seeing, hearing, reading. The montage of the archival material is conceived as a mirror to Guattari’s concept of an ‘assemblage’, which is also a main topic throughout the installation.

With the participation of

Eduardo Viveiros de Castro, anthropologist, Museu Nacional, Rio de Janeiro

Éric Alliez, philosopher, Paris

Jean Claude Polack, psychiatrist, psycho-analyste, Paris

Barbara Glowczewski, anthropologist, Paris

Peter Pál Pelbart , professor of philosophy , Sao Paolo

Janja Rosangela Araujo, master of Capoeira Angola, professor , Salvador de Bahia

Jean Jacques Lebel, artist, Paris

Archives

Tetsuo Kogawa, Suely Rolnik, François Pain, Institut Auiovisuel Parism ISKRA Paris and others

ANIMISM

22 jan 2010 – 02 may 2010

A collaboration between Extra City and M HKA

Animism is a long-term exhibition and publication project first presented between 22 January and 2 May 2010 in Antwerp in a collaboration of Extra City Kunsthal Antwerpen and the Museum of Contemporary Art (M HKA). A second version of the exhibition will be shown at Kunsthalle Bern from May till July 2010. Subsequent versions will be developed at the Generali Foundation in Vienna and the House of World Cultures in Berlin in 2011 and 2012, respectively.

The project approaches the concept of animism – coined by 19th century anthropologists in the context of the colonial encounter – from a contemporary perspective. It addresses the current increase in interest in animism, which stems from a widespread re-visioning of modernity, by a reflection on aesthetic processes seen through the prism of an exhibition.

http://www.muhka.be/

christmas and birthday evening
at 9 pm in the cafe/bar Marianne, located in Mariannenstrasse 6, Kreuzberg.

see you there

greetings yara

Hello,

I would like to shift the class meeting tomorrow to the 4th of January
but invite you for a christmas and birthday evening this wednesday,
the 23rd of december at 9 pm in the cafe/bar Marianne, located in Mariannenstrasse 6, Kreuzberg.

I am sorry for the short notice,
I hope to see you on wednesday,

with my best regards,
Angela

Hallo,
ich muss morgen, am Dienstag, leider das Seminar absagen und es auf Januar verschieben, da ich erkältet bin.

mit besten Grüßen
ANgela

As scheduled the seminar takes place at 10 am in room 115.
We will look at an excerpt of the interview recorded with Félix Guattari in 1991 by Canal Déchainé
and the film ‘Ce gamin la’ on Fernand Deligny’s work on autism and schizo-analytical cartographies.

See you tomorrow,
best regards
Angela Melitopoulos

Screens of Perception
Felix Guattari and the Cinema of the Institutional Psychotherapy
Guestprofessor: Angela Melitopoulos

Guattari’s thinking and practice is also a history of resistance through political movements starting at the psychiatric asylum of St. Alban during World War Second. We continue with the discussion between political movements in France taking place at the clinic of La Borde before and after 1968, ending with Guattari’s elaboration of a New Ecology in which an ‘animist’ intuition plays an important role. With a rich collection of documents and films showing the history of ’Institutional Psychotherapy’ at St. Alban and La Borde, with interviews and documents that display Guattari’s way of speaking, arguing and thinking, and with a series of interviews recorded with his dearest friends and colleagues, we will compose a series of lectures that translate Guattari’s thought in diverse media. Many filmmakers such as Jean Rouch, Fernand Deligny or René Lalou, visited and worked at the clinic of La Borde. They formed within the movement of ‚Cinema Verité’. La Borde, similarly to St. Alban during World War II, became an important meeting point for political movements, intellectuals and artists who translated their experiences into film and text.

Félix Guattari (1930 – 1992)
Félix Guattari was a French militant, institutional psychotherapist and philosopher, the founder of both Schizoanalysis and Ecosophy. Guattari is best known for his intellectual collaborations with Gilles Deleuze, most notably Anti-Oedipus (1972) and A Thousand Plateaus (1980). He strongly influenced the work of Antonio Negri, Michael Hardt, Brian Massumi and Gilles Deleuze. Guattari’s post-Marxist vision of capitalism provides a new definition not only of mental illness, but also of micropolitical modes of subversion. Concepts such as ‘Micropolitics’, ’Schizoanalysis’, and ’Becoming-Woman‘ open up new horizons for political and creative resistance in the post-medial era. Guattari’s energetic analysis of art, cinema, youth culture, economics, and power formations introduce a radically inventive thought-process engaged in liberating subjectivity from the standardizing and homogenizing processes of global capitalism.

Lectures:
_____________________________________________________________
Francois Tosquelles
date: 10. November, 10 am – 2 pm
location: Universität der Künste Berlin, room 115, Hardenbergerstrasse

Video : ‚Une Politique de la Folie’ by Francois Pain, 54min, 1989, and excerpts of the interview with Francois Tosquelles (raw material )

A video about the catalan psychiatrist Francois Tosquelles, the founder of the Institutional Psychotherapy at the asylum of St Alban during World War II.
The psychiatric asylum of St. Alban was the modell-clinic of La Borde, where Felix Guattari worked his entire life. The film shows French resistance fighters in St. Alban and the practice of an institutional psychotherapy that transformed the psychiatric asylum from a closed institution into an open one. This revolution in St. Alban is narrated by François Tosquelles, who was the thinker and practitioner of a form of psychiatry which broke down the walls of the hospital and allowed patients to be an active part of society.

_____________________________________________________________
La Borde
date: 16. November, 10 am – 2 pm
location: Universität der Künste Berlin, room 115, Hardenbergerstrasse

Videos:

‚Les Dents du Singe’ by René Lalou, animation film, (1960, 11 min)
‚La Borde ou le Droit à la Folie’ , documentary by Igor Barrère (1977, 60 min)
‚Min Tanaka à la Borde’ by Joséphine Guattari and François Pain (1986, 25min)

Félix Guattari worked in the psychiatric clinic of La Borde with patients but also with peasants, workers, migrants and with artists, philosophers and activists. The clinic became a platform for the invention of and experimentation with new modes of organisation, that demonstrate fundamental interest for the schizophrenic and psychotic expressions of life. Still today, the clinic retains an idea of work organisation as a part of the institutional psychotherapy that Félix promoted with passion: everybody’s role changes; no task was attributed specifically to anyone in particular because everyone and not only the professionals had a potential for healing; everyone participated in the cure. Many filmmakers and artists discussed and worked in the clinic of La Borde.

_____________________________________________________________
The cinema of Fernand Deligny
date: 24. November, 10 am – 2 pm
location: Universität der Künste Berlin, room 115, Hardenbergerstrasse

Videos: Le Moindre Geste, France, 95 min , 1962-1971

Fernand Deligny considered himself a poet and an ethologist. At Armentières asylum, in Lille during World War II, in the course of the “Grande Cordée” project, and later at Cévennes, he came up with spatial tools such as open-ended mapping systems that were distinct from standard notions of cartography. He pushed limits, observed and transcribed the lines of „wanderings” of the autistic children. This “deterritorialization” preserves the notion of location. The lines of wandering are not the lines of escape nor the Rhizome of Gilles Deleuze and Félix Guattari. Deligny’s references to species and ethology go hand in hand with his thought regarding the notion of territory as an environment.

Deligny considered environment as the elected ground of the autistic “lack of want”. His critique of teleology echoes the precautions of the ethologists of his time where they tackle the notion of instinct and the erroneous opposition between the acquired and the innate.

http://multitudes.samizdat.net/Fernand-Deligny-imager-le-commun
http://unspokencinema.blogspot.com/2009/05/least-gesture-deligny.html
http://www.desterritoires.com/spip.php?article75

_____________________________________________________________
Glossarium : concepts of Felix Guattari and Gilles Deleuze
date: 1. Dezember, 10 am – 2 pm
location: Universität der Künste Berlin, room 115, Hardenbergerstrasse

Text: concepts : Assemblage of collective enuncaition (agencement collectif d’énonciation); Assemblage of collective action; schizo-analytical cartographies (cartographie schizo-analytic)
becoming,/ becoming animal (devenir/ devenir animal); molaire/moleculaire; Significant and
a-siginificant semiotics (sémiotiques signifiante et a-signifiantes); territorialisation/deterritorialisation ; production of subjectivity; chronological and non-chronological time (temps chronologique /temps non chronologique); the aesthetical paradigm

Videos:
excerpts of a lecture of Felix Guattari in New York in 1992 recorded by Josephine Meckseper

_____________________________________________________________
Assemblages

Seminar with guest lecturer Maurizio Lazzarato and Francois Pain (to be confirmed)
Date: 7. December
location: Universität der Künste Berlin, room 115, Hardenbergerstrasse

Subjectivity does not reside exclusively in the subject and in language. It is disseminated to different degrees (Guattari speaks of „degrees of existence“) in nature, the cosmos, machines, in the social, etc. Intuitively, the first connection to animism can
be identified here: a multiplicity of ‘foyers of human and non-human subjectivities’ that disperse the exclusive concentration of subjectivity in the human being.

Guattari’s interest in archaic cultures, the mad, children, minorities etc. demonstrates a concern with how a multiplicity of modalities (physical, ritual, verbal, visual and sexual) are put into play with one another in an autonomous and non-hierarchical relationship. None of these levels takes precedence or has power over the other, whereas in modernity all polyphony of expression, the richness and poly-semantic levels of the word, gestures, singing, the voice, the image, etc., become interdependant and subordinated in a hierarchy that is established by the signifiers of a language that reproduces a specific consciousness and a representation of the individual subject.

Videos : Francois Pain about his artistic practice in the clinic of La Borde (1965-1987)
Video interview with Félix Guattari on the Gulf War 1991 recorded by Canal Déchainé Paris

_____________________________________________________________

Seminar with guest lecturer Francois Pain (to be confirmed)

Date: 15. December
location: Universität der Künste Berlin, room 115, Hardenbergerstrasse

videos and text
_____________________________________________________________

Lygia Clarke
date: 5. January, 10 am – 2 pm
location: Universität der Künste Berlin, room 115, Hardenbergerstrasse

videos and text

_____________________________________________________________
Anti-Elektra
date: 11. January, 10 am – 2 pm
location: Universität der Künste Berlin, room 115, Hardenbergerstrasse
Text by Elisabeth von Samsonov

_____________________________________________________________
Corridor X by Angela Melitopoulos (to be confirmed)
date: 19. January, 10 am – 2 pm
location: Universität der Künste Berlin, room 115, Hardenbergerstrasse