Monthly Archives: December 2012

Next year we'll see you again. Be sure to check your Spam-Folder.

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Happy New Year!

Sowjetisches Ehrenmal Treptow, gingerbread cover version by Michelle Teran Franziska Kleiner Diana McCarty plus volunteers and 6 happy kids. Please note joint smashing of swxstika. picture source. In other news: It´s got to be sculpture next year! Or the performative-show-trial … Continue reading

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b/w films: short film classics

hello all, we’ll close this year with a collection of short films loosely based on dreams and fantasy, with classics from Chris Marker (La jetée), Maya Deren (Meshes of the Afternoon), Alexander Alexeieff/Claire Parker (Night on Bald Mountain), Norman McLaren … Continue reading

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too early too late

Too early: Self Expression Post Internet 14.+15.1 10-17h R115 run by Janus, Martyn with some superfluous input from Hito The (somewhat farcical) premise: That Abstract Expressionism is a useful correlative to describe the critical understanding of ‘post-internet art’ and its … Continue reading

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Drinks after class meet 15.12

it seems the end is nigh, so lets rather have a few beers now. “In Moscow, an underground bunker built during the second world war for the Soviet dictator Josef Stalin has offered its services: “We invite you to survive … Continue reading

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Verdicts of (show) trials of objects: screen, device, live, black box, attention

 

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b/w films: 8½

  Wednesday Dec 12th, 18h in Room 115 8½ (Federico Fellini, I 1963, 138min) “It was self-centered of me, I suppose, not only that my own ideas seemed more attractive to me, as our own ideas seem attractive to all … Continue reading

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ART ATTACK

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Mind Map of Hito's Workshop Day 1

Many thanks to Janus for this great real time mind map job! Today: mapping around: “device”, “live”, “screen”, “black box”, “attention”, “show”  

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Laura Poitras on Monday, Dec 10th, 14-17h

We are very proud to host Laura to our seminar: Guilty as Charged. Laura Poitras is a filmmaker whose elegant and illuminating documentaries capture the lives and intimate experiences of families and communities largely inaccessible to the American media. Following … Continue reading

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